The usual photo, with the hand raised to mimic a greeting, has finally arrived. Serena Rossi, in a white suit, landed at Lido of Venice, where, on September 1st, the seventy-eighth Film Festival. “I will be here for the entire period of the Festival, and I will try not to miss a single film,” said the godmother of the festival, certain that the opening ceremony could bring her new and stronger sensations. «I’m going back to Venice after being in competition with Love and Crime of the Manetti Bros. I remember that emotion, but the opening ceremony will be something else, it will be more powerful », he tried to foresee, explaining that he had looked back to capture the characteristics of each godmother, without wanting to establish any comparison. “I’ll be myself, as always. It is useless to make comparisons: each exhibition is unique, each edition breathes the air of its time, as it should be, and this is how it is, poised between the shooting and a dramatic context that seems to give us no respite ».
Serena Rossi, hidden behind dark glasses, mitigated her words with a smile, then focusing all her attention on the festive aspect of Venice. To the films, the guests, the red carpets, «Because I like glamor too».
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