In the video of Crazy Lovefirst single – inspired by a performance by Marina Abramović and Ulay – from the latest album by Marracash We, them, the othersthe Milanese rapper ed Elodie yes they killed each other. Those images were the staging of the end of their lovewho had killed the lovers and their relationship, but yes it was transformed into something else.
Of this “other”, Marracash himself spoke today for the first time with the Corriere della Seraat the presentation of the video clip of the new single Doubts. “Our relationship still exists”, the rapper said. «Difficult to explain, however, to people accustomed to predefined boxes. It’s not a relationship as it is meant out there, but we love each other very much“.
Until now, only Elodie had been talking about their story, a few months ago, defining herself single but continuing to declare herself very attached to her ex: «Our love has not ended, it has transformed. Fabio continues to be for me family. People don’t forget overnightHe said in January. But then he also had excluding future projects: «We have never lived together and I can’t think of him and me as parents “He said, “is what unites us is too absolutethere could be no room for a third child ».
An absolute that does not like to close in predefined schemes is that it does not project itself into the future, but that lives only in the present. So much so that even recently, despite the rumors they want the singer of Margarita close to the Armani manager, Davide RossiElodie and Marracash continue to be spotted together and there are those who speak (trivially) of backfire.
But love, you know, does not allow itself to be pigeon-holed by anyone, much less by those who – like the two artists – the only lines in which it is allowed to re-enter are those of the pentagram.
Other stories of Vanity Fair that may interest you:
Inside Crazy Love by Marracash and Elodie
Marracash, on the cover of the new album there is also Elodie
Marracash reveals: “Elodie and I broke up on the set of my latest video”
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Source: Vanity Fair
