We know that in soap like A place in the sun The presence of a villain that gives pepper to the story and dynamics of the story only that, lately, it seemed to us that the screenwriters had focused on the wrong horse, is necessary. After months to try to transform Gennaro Gagliottiplayed by Carlo Caracciolo, in the new Villain of Palazzo Palladini, It is with surprise that we realized that the real bad guy was another: the unsuspected Valeria Paciello played by Benedetta Valanzano. If in the past he has had the opportunity to make himself known by the fans of A place in the sun For having deceived the Poggi family for the sole purpose of getting married by Niko (Luca Turco), at this tour we believed that his destiny was different, brighter and conciliatory.
With the passing of the episodes, however, we noticed that Valeria is the real villain of A place in the sun, And it is also one of the best because, unlike the various Lara Martinelli, Valeria moves on a double track: The perfidy of those who act to ruin others and the fake innocence of those who recite the part of the naive and good heart girl. Through her plan to damage Manuela (Gina Amarante) in order to keep her away from Niko through the poor nephew, manipulated to dissolve the laxative in an orange juice to make the children guests of the archaeological park of Manuela sick and thus make her fall back, the screenwriters of A place in the sun They implemented an exciting plot to say the least that, beyond the parenthesis on food intoxication, we hope it lasts.
With its manipulations and its densest plots of the threads of a spider web, Valeria is perhaps the character of which A place in the sun He needed more at this moment, Above all, considering how the screenwriters have decided to dismiss the interesting storyline of harassment in the workplace, spectacularly spent a little too much towards his epilogue. Regardless of how it will go, We really hope that Valeria always finds a place to return And above all, that the public can become more and more passionate about a plot that necessarily needs to spark the cards to obtain the two effects that anyone who writes a series aims to achieve: empathy and involvement.
Source: Vanity Fair
I’m Susan Karen, a professional writer and editor at World Stock Market. I specialize in Entertainment news, writing stories that keep readers informed on all the latest developments in the industry. With over five years of experience in creating engaging content and copywriting for various media outlets, I have grown to become an invaluable asset to any team.
