As long as you talk about it? If the old adage is right and any kind of advertising is welcome, both positive and negative, then the team of 365 days: now, second chapter of Netflix’s Polish erotic saga, should rejoice. This Eastern European version of 50 shades got an unexpected record, that is a score of 0 on Rotten Tomatoesthe American site that collects reviews from critics and the public.
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Difficult to do worse, therefore, according to the noble site: it seems that since its birth, in fact, only a handful of films has succeeded in this undertaking (about fifty, to be precise). Not that the first chapter has done much better, but this time it seems to have skipped the bottom, between Variety who calls it “junk”, even if “hot”And RogerEbert.com who finds it hard to think “it’s a film”. Reading the comments is much more fun than the plot itself, which takes place in almost two hours between the soap and the hard but without fittingly placing itself in either genre.
In short, for those who had missed the previous chapter and wanted to recover, the protagonist, the Sicilian boss Don Massimo (Michele Morrone, who thanks to the saga has almost 12 million followers on Instagram and has given new polish to a shaky career) kidnaps the young Polish girl Laura (Anna-Maria Sieklucka), guilty of having populated her dreams, and challenges her to stay with him for a whole year. After this period, if she falls in love with her tormentor, she can stay otherwise she is free.
And, surprise !, she is won over by the self-erotic practices that he loves to do in his presence and completely loses his mind, starting to spend more and more time with him experimenting with every possible position, possibly in the name of BDSM.
The story, taken from Blanka Lipinska’s erotic trilogy, immediately ended up in the top ten of the platform but the success was not repeated by this sequel which begins with a wedding in the name – as expected – of the total lack of good taste to continue with rivalry between mobsters, escapes, identity theft and any other Beautiful twists that can come to mind. All stuffed with a series of sessions under the sheets that are not particularly original. Boredom and confusion reign. Evidently there was too much nuance. In this case, less is more.
Other stories of Vanity Fair that may interest you:
365 days: nowMichele Morrone returns to Netflix
365 daysthe Polish answer to 50 shades
20 shades by Michele Morrone
Source: Vanity Fair
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